Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Cheat Sheets - Tiger Tateishi
12345678 - Maya Strobbe
Délié - Baptiste Oberson
Imagos - Noémie Lothe
Revue Les Saisons n°3
Le blanc nez - Fouss Daniel
Link Human / Robot - Collectif dir. Emmanuelle Grangier
À partir de n°1 - Coll.
Augure - Rodrigue de Ferluc
Super Kiblind 3
Red Horse - Sasha Kurmaz
Slanted 24 - Istanbul
movement in squares - Stefanie Leinhos
Optical Sound 3
Occiput Totem - Bill Noir
Piano - Joseph Charroy
La troisième oreille et autres textes + CD - Bryan Lewis Saunders
UP8 — Pour une pédagogie de l'architecture
An Egyptian Story - Thibaut Kinder
Pø om Pø - Kaja Meyer
Critique d'art n°54
Image Canoë - Jérémie Gindre
On dirait le sud - Anne-Sophie Turion
Typologie – La tente de camping
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Dessins pour Rugir - Virginie Rochetti
Le corps travesti - Michel Journiac
Party Studies – Vol. 1 – Home gatherings, flat events, festive pedagogy and refiguring the hangover
Le chateau enchanté - Atelier Mclane
Pectus Excavatum - Quentin Yvelin
The Barefoot Promise - Pierre Leguillon
il y avait une ville - Laeticia L'Heureux
Capolavori - Livio Vacchini
Radio-Art - Tetsuo Kogawa
Un essai sur la typographie - Eric Gill
Reading - Ilan Manouach
Revue La Ronde n°14
Eros negro #2 - Demoniak
Watch out - Anne-Émilie-Philippe
Retour d'y voir - n° 1 & 2 - Mamco
Je ne peux pas ne pas - Geneviève Romang 







