Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Vers Vermersch - Thomas Dunoyer de Segonzac
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
L'internationale modique (AND 3) - J-M. Bertoyas
Talk Soon - Erik Kessels & Thomas Sauvin
Titanic Orchestra - Julien Mauve
Der Erste Rotkehlchen - Le livre
Holy Mountain - Maia Matches, Knuckles & Notch
Tote Bag - Lucas Burtin x Librairie Lame
Construire un lac, faire disparaître des cailloux, porter un chapeau - Damien Tran
Elk - Jocko Weyland
Pectus Excavatum - Quentin Yvelin
Typologie – La tente de camping
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Grilles - Zelda Mauger
Je ne peux pas ne pas - Geneviève Romang 







