Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Mosaïque d'asphalte - Jack Torrance
L'inventaire des destructions - Éric Watier
Holy etc. - Fabienne Radi
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Graphzine Visages
L'internationale modique (AND 3) - J-M. Bertoyas
Artzines # 10 - Show & Tell #2 NY Special
Wayfaring - Patrick Messina, André S. Labarthe
MENU メニュー - Wataru Tominaga
Papier magazine n°06 - Coupe du monde
Gros Gris n°4 - Duel
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Seoul Flowers & Trees - tribute to Lee Friedlander
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
(page 1 et 17) - Lorraine Druon
Fluent - Laëticia Donval
Machiavel chez les babouins - Tim Ingold
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
movement in squares - Stefanie Leinhos
本の本の本 - antoine lefebvre editions,
Temps d'arrêt - Etienne Buyse
Zoom Age - Julien Auregan
52 vendredis — Léonore Emond, Damien Duparc, Yaïr Barelli et Charlotte York
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Sillo n°3 - Le Fauve
Grilles - Zelda Mauger 







