Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Les voiles de Sainte-Marthe - Christian Rosset
AARC – Alter Architecture Research Collective n° 01
ARTZINES #7 - Berlin issue
Typologie – La tente de camping
16 x 421 - Lorraine Druon
Titanic Orchestra - Julien Mauve
Critique d'art n°54
SKKS - Gilles Pourtier
Pectus Excavatum - Quentin Yvelin
Alma Mater n°1
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Eros negro #2 - Demoniak
Jean-Jacques a dit - Angèle Douche
The Shelf - Journal 3
Entretiens – Jérôme Dupeyrat
Le vieux père - Laurent Kropf
Inframince et hyperlié - Philippe Lipcare
La Typographie post-binaire au delà de l'écriture inclusive - Camille Circlude
Cuadernos - Henry Deletra
Saveurs imprévues et secrètes - Gilbert Lascault
Illusive prosody - Alex Beaurain
La grande surface de réparation - Gilles Pourtier
Strates & Archipels - Pierre Merle
It was a good day - Jeremy Le Corvaisier 







