Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

L'amie de mes rêves - Violette Gorgiard
Oblikvaj 5 - Vingt-deux plongées profondes - Aude Barrio, Ensemble Batida
Heads Together – Weed and the Underground Press Syndicate - David Jacob Kramer
Gruppen n°14 - Collectif
Radio-Art - Tetsuo Kogawa
Musique pour les yeux - Johann Bertrand Dhy
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Jean-Jacques a dit - Angèle Douche
Zombie Girls 2.0 - Lucie Lučanská
Tools #04 – Couper / To Cut
Blanche Endive - Grégoire Motte & Gabriel Mattei
Critique d'art n°56
Green (or moles on a golf course) - Aslak Gurholt
Reading - Ilan Manouach
Philatélie - Magali Brueder
Sans titre - Benjamin Hartmann
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
May you Continue to Blossom - Alexandra Dautel
Tools of Encouragement - Erlend Peder Kvam
Artzines # 10 - Show & Tell #2 NY Special
Ludmilla Cerveny - Work
Pectus Excavatum - Quentin Yvelin
Femme, Arabe et... Cinéaste - Heiny Srour
Barrage de Sarrans - Sandrine Marc
Le blanc nez - Fouss Daniel
UPO 1 - Earth Art - Rejane Dal Bello
Documents relatifs à l'édition pirate du Traité du style de Louis Aragon par Gérard Berréby
L'arum tacheté de J-M. Bertoyas
Modern Instances, The Craft of Photography - Stephen Shore
A l'origine - Anne-Émilie-Philippe
It was a good day - Jeremy Le Corvaisier 







