Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Lili, la rozell et le marimba / revue n°2
De tels baisers - Jul Gordon
Mökki n°4
Keywording (Post) Contemporary Art - Greta Rusttt
Denver Mosaic 1961 - René Heyvaert
Zoom Age - Julien Auregan
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
interférence - 3 - maycec
Il était deux fois - Gary Colin
Sans titre - Chris Kiss
Je ne peux pas ne pas - Geneviève Romang
Délié - Baptiste Oberson
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Le chateau enchanté - Atelier Mclane 







