Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

52 vendredis — Léonore Emond, Damien Duparc, Yaïr Barelli et Charlotte York
La traversée - Magali Brueder
Rois de la forêt - Alain Garlan
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Sur la page, abandonnés — vol.3
movement in squares - Stefanie Leinhos
Un peu comme voir dans la nuit - Leif Elggren + CD
akaBB - tribute to Roni horn
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Untitled (Comic Book) - Frédérique Rusch
The Shelf - Journal 3
Superbemarché - Coll.
MegaOctet Verbateam
Voir la Palestine, Contre-champs artistiques - Stefanie Baumann
Le chateau enchanté - Atelier Mclane 







