Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Le vieux père - Laurent Kropf
Paysageur n°3 - Mobiles
Télégraphes de l'Utopie – L'art des avant-gardes en Europe Centrale 1918-1939 - Sonia de Puineuf
Éclats III - Athanor
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Zoom Age - Julien Auregan
Dans la Lune - Fanette Mellier
Le chateau enchanté - Atelier Mclane
Roven n°4
52 vendredis — Léonore Emond, Damien Duparc, Yaïr Barelli et Charlotte York
Une goutte d'homme - Alice Dourlen
Deep state - Mathieu Desjardins
Pectus Excavatum - Quentin Yvelin 







