Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Cf. - Pierre Olivier Arnaud
Rasclose - Geoffroy Mathieu
Schindler Manifesto
Grilles - Zelda Mauger
Regards croisés — Gekreutze Blicke - Yeloyolo
Close encounters of the hand and glove
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Collective Design : Alison & Peter Smithson
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
La Janais - Gaëtan Chevrier, Jérôme Blin
Construire un lac, faire disparaître des cailloux, porter un chapeau - Damien Tran
Le chateau enchanté - Atelier Mclane 







