Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Désolation - Verity Spott
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Gros Gris n°4 - Duel
Retour d'y voir - n° 1 & 2 - Mamco
Papier magazine n°06 - Coupe du monde
Gruppen n°14 - Collectif
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Du Fennec au Sahara - Guillaume Pinard
Entretiens – Jérôme Dupeyrat
Ellipse - Ismail Alaoui-Fdili
akaBB - tribute to Roni horn
Artzines # 10 - Show & Tell #2 NY Special
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Holy Mountain - Maia Matches, Knuckles & Notch
Keywording (Post) Contemporary Art - Greta Rusttt
Critique & création - L.L. de Mars
Critique d'art n°55
Jean-Jacques a dit - Angèle Douche
La tour Tatline - Georgi Stanishev
Le museau de mes amies m’amuse - Jehane Mahmoud
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
Deep state - Mathieu Desjardins 







