Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

La prise - Florian Javet
Talk Soon - Erik Kessels & Thomas Sauvin
Dédale - Laurent Chardon
Pectus Excavatum - Quentin Yvelin
Mökki n°4
Editer l’art – Leszek Brogowski
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Bodies in Scattered Light - Andriu Deplazes
Escape - Makiko Minowa
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
An Inventory Of - Daniele Franzella
Heads Together – Weed and the Underground Press Syndicate - David Jacob Kramer
Ilya Ehrenbourg - Et pourtant elle tourne
A l'origine - Anne-Émilie-Philippe
Collective Design : Alison & Peter Smithson
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Eros negro #2 - Demoniak
Délié - Baptiste Oberson
Party Studies – Vol. 1 – Home gatherings, flat events, festive pedagogy and refiguring the hangover
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Seoul Flowers & Trees - tribute to Lee Friedlander
Gruppen n°14 - Collectif
L'inventaire des destructions - Éric Watier
L'abécédaire d'un typographe - Gerrit Noordzij; Jost Hochuli
Slanted 30 - Athens
Vanishing Workflows - Xavier Antin
Victor Papanek - Design pour un monde réel
Ventoline 6 - Coll
Notre condition. Essai sur le salaire au travail artistique – Aurélien Catin
Dirty fish - Léa Abaroa
Deep state - Mathieu Desjardins 







