Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Jean-Marc Bodson - États des lieux
☀ - Manon Demarles
America - Ayline Olukman, Hélène Gaudy
Critique d'art n°56
À partir de n°1 - Coll.
Modern Instances, The Craft of Photography - Stephen Shore
Deep state - Mathieu Desjardins
Temps d'arrêt - Etienne Buyse
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Retour d'y voir - n° 3 & 4 - Mamco
Holy etc. - Fabienne Radi
Pénurie - Zivo, Jérôme Meizoz
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Illusive prosody - Alex Beaurain
Tools #04 – Couper / To Cut
Le chateau enchanté - Atelier Mclane
Cuadernos - Henry Deletra
Titanic Orchestra - Julien Mauve
Dear Paul - Paul Van der Eerden
De tels baisers - Jul Gordon
Papier magazine n°06 - Coupe du monde
Bacon le Cannibale - Perrine Le Querrec
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Radio-Art - Tetsuo Kogawa
OKATAOKA MEETS FOLK ART SERIES “HELLO MEXICO” 







