Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Collective Design : Alison & Peter Smithson
Le vieux père - Laurent Kropf
Tout va bien - Vera Muratet
OKATAOKA MEETS FOLK ART SERIES “HELLO MEXICO”
Comme si la nuit avait dévoré le Monde - Philippe Baudouin, Jean-Baptiste Carobolante
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Rocher du Ciel - Martin Desinde
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Saint Ferreol - Trente plats - Jérémy Piningre & Aëla Mäi Cabel
Eros negro n°4 - Démoniak
Jean-Jacques a dit - Angèle Douche
L'internationale modique (AND 3) - J-M. Bertoyas
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Philonimo - Le Loup de Hobbes - Alice Brière-Haquet, Herbéra
Aube - Caroline Bachmann
Assembly - Sam Porritt
IBM – Graphic Design Guide from 1969 to 1987
L'atelier partagé avec Géraldine Trubert
Wayfaring - Patrick Messina, André S. Labarthe
Do insects play ? - Johanna Tagada Hoffbeck
Party Studies – Vol. 1 – Home gatherings, flat events, festive pedagogy and refiguring the hangover
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Un essai sur la typographie - Eric Gill
Mise en Abyme - Yelena Yemchuk
ICCMHW - Atelier Choque Le Goff
La mémoire en acte - Quarente ans de création musicale
Roven n°4
interférence - 2 - maycec
Chantonnements - Geoffroy Pithon
Deep state - Mathieu Desjardins 







