Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Polyphème (d'après Euripide) - J. & E. LeGlatin
Promenade au pays de l'écriture - Armando Petrucci
Halogénure # 02
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Dédale - Laurent Chardon
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Piano - Joseph Charroy
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Six Months - Nathalie Ghanem-Latour
Saint Ferreol - Trente plats - Jérémy Piningre & Aëla Mäi Cabel
Pectus Excavatum - Quentin Yvelin
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Image Canoë - Jérémie Gindre
La prise - Florian Javet
Dear Paul - Paul Van der Eerden 







