Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Critique d'art n°56
In The Navy - Julien Kedryna
Hello tomato - Marion Caron & Camille Trimardeau
Dear Paul - Paul Van der Eerden
Saint Julien l'hospitalier Tome 2 - Claire Pedot
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Polyphème (d'après Euripide) - J. & E. LeGlatin
Super Kiblind 3
Le dos des choses - Guillaume Goutal
Dédale - Laurent Chardon
Papier magazine n°06 - Coupe du monde
Fluent - Laëticia Donval
Pectus Excavatum - Quentin Yvelin
Burning Images, A History of Effigy Protests - Florian Göttke
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Chantonnements - Geoffroy Pithon
Le corps travesti - Michel Journiac
Slanted 24 - Istanbul 







