Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Le vieux père - Laurent Kropf
America - Ayline Olukman, Hélène Gaudy
Roven n°5
Flynn zine # 1 - Flynn Maria Bergmann
Photographic Fields - Joël Van Audenhaege
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Philonimo - Le Papillon de Tchouang-Tseu - Alice Brière-Haquet, Raphaële Enjary
Un cahier - Michel Quarez
Gros Gris n°4 - Duel
ARTZINES #1, Paris issue
Entretiens – Jérôme Dupeyrat
Le blanc nez - Fouss Daniel
Seoul Flowers & Trees - tribute to Lee Friedlander
Prendre l’image, Le graphisme comme situation politique - Olivier Huz
La traversée - Magali Brueder
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Temps d'arrêt - Etienne Buyse
Dear Paul - Paul Van der Eerden 







