Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Recto Versu - Bill Noir
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Ellipse - Ismail Alaoui-Fdili
Critique d'art n°56
Le Gabion - Théo Robine-Langlois
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Autodrône - Divine Vizion
Jardín de mi padre - Luis Carlos Tovar
Schindler Manifesto
interférence - 3 - maycec
Matriochka - Fanette Mellier (3ème ed.)
Censored n°05 - Transmission
A R N O R D I R - FLorian Marciourt
Polyphème (d'après Euripide) - J. & E. LeGlatin
La Couleur du Geste - Héloïse Bariol
Manuel d'écologie urbaine - Audrey Muratet, François Chiron
HARTES BROT - Moritz Schermbach
Le dos des choses - Guillaume Goutal
Victor Papanek - Design pour un monde réel
Les voiles de Sainte-Marthe - Christian Rosset
Dear Paul - Paul Van der Eerden 







