Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Revue Les Saisons n°3
Pilote - Mathilde Sauzay
Le chateau enchanté - Atelier Mclane
Recto Versu - Bill Noir
Polyphème (d'après Euripide) - J. & E. LeGlatin
ARTZINES #1, Paris issue
Eros negro n°4 - Démoniak
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
il y avait une ville - Laeticia L'Heureux
Bacon le Cannibale - Perrine Le Querrec
movement in squares - Stefanie Leinhos
Victor Papanek - Design pour un monde réel
Eros Negro # 1 - Demoniak
Grilles - Zelda Mauger
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Collection - Adélaïde Gaudéchoux
Critique d'art n°56
Hmm ! - C. de Trogoff
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Zombie Girls 2.0 - Lucie Lučanská
Le singe et le bijoux - Roxane Lumeret
Link Human / Robot - Collectif dir. Emmanuelle Grangier
Photographic Fields - Joël Van Audenhaege
La mémoire de l’ordre. Les paradoxes du sens dans l’architecture moderne. - José Ignacio Linazasoro
CURIOSITY — David Lynch
Tomber dans l'escalier - Jasper Sebastian Stürup
Après la révolution – numéro 1
Le dos des choses - Guillaume Goutal 







