Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Le chateau enchanté - Atelier Mclane
Philonimo - Le Papillon de Tchouang-Tseu - Alice Brière-Haquet, Raphaële Enjary
Auprès, au sein — Julien Van Anholt
Pectus Excavatum - Quentin Yvelin
Salt Crystal - Fabio Parizzi
Papier magazine n°06 - Coupe du monde
Oraison funèbre pour Zelda1990 - Romane Constant
Eros negro #2 - Demoniak
Hmm ! - C. de Trogoff
Lili, la rozell et le marimba / revue n°2
MegaOctet Verbateam
Dédale - Laurent Chardon
Introduction à l'esthétique - Nakai Masakazu
Critique d'art n°55
Le dos des choses - Guillaume Goutal 







