Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Deep state - Mathieu Desjardins
Étrangement seuls - Jean-Pascal Princiaux
Roven n°5
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
Le voyeur - entretiens - Éric Rondepierre - Julien Milly
Prose postérieure - Les commissaires anonymes
Illusive prosody - Alex Beaurain
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Piano - Joseph Charroy
Gros Gris n°4 - Duel
Zoom Age - Julien Auregan
Editer l’art – Leszek Brogowski
A l'origine - Anne-Émilie-Philippe
Vacuité 9090 - Jérémy Piningre
Strates & Archipels - Pierre Merle
Délié - Baptiste Oberson
Marginalia - Clément Laigle
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Mökki n°4
Le dos des choses - Guillaume Goutal 







