Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Radio-Art - Tetsuo Kogawa
Notre condition. Essai sur le salaire au travail artistique – Aurélien Catin
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Red Horse - Sasha Kurmaz
Ravedeath Convention - Jan Philipzen
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Éclats III - Athanor
Hybrid heads - Daniela Dossi
Saveurs imprévues et secrètes - Gilbert Lascault
Lili, la rozell et le marimba / revue n°2
Slanted 24 - Istanbul
Philonimo - Le Lézard de Heidegger - Alice Brière-Haquet, Sophie Vissière
L'abécédaire d'un typographe - Gerrit Noordzij; Jost Hochuli
ARBRES-TRONCS - Zoé van der Haegen
Tomber dans l'escalier - Jasper Sebastian Stürup 







