Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
She is warm - Iringo Demeter
Bambi # 4 - Collectif
Gros Gris n°4 - Duel
Ce que l'histoire fait au graphisme - Clémence Imbert
In The Navy - Julien Kedryna
The Book Fight - Chihoi
Perles & Fracas - Bill Noir
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Mökki n°2
Le blanc nez - Fouss Daniel
Tomber dans l'escalier - Jasper Sebastian Stürup 







