Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
La Romantica
IBM – Graphic Design Guide from 1969 to 1987
Philonimo - Le Chien de Diogène - Alice Brière-Haquet, Kazuko Matt
Eros negro n°4 - Démoniak
Stéréo couleurs - Atelier Bingo
Tomber dans l'escalier - Jasper Sebastian Stürup 







