Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Slanted 30 - Athens
Kriss Kross 2019 - Genêt Mayor
Une livre - Christine Demias
Diario de Plantas (2 volumes) - Gabriel Orozco
Retour d'y voir - n° 3 & 4 - Mamco
Musée des Beaux-Arts - Pierre Martel
52 vendredis — Léonore Emond, Damien Duparc, Yaïr Barelli et Charlotte York
Strates & Archipels - Pierre Merle
MAN - Erik Kessels, Karel De Mulder
Barrage de Sarrans - Sandrine Marc
Il est si difficile de trouver le commencement - Helen Thorington
Marcel Proust en cinq minutes — Jackson B. Smith
Aurore Colbert - Marie Mons
Tomber dans l'escalier - Jasper Sebastian Stürup 







