Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Bodies in Scattered Light - Andriu Deplazes
Cyclone - Juliette Chalaye
MegaOctet Verbateam
Fluent - Laëticia Donval
Débris N°2 - Théo Garnier Greuez
La mémoire de l’ordre. Les paradoxes du sens dans l’architecture moderne. - José Ignacio Linazasoro
Temps d'arrêt - Etienne Buyse
Piano - Joseph Charroy
Promenade au pays de l'écriture - Armando Petrucci
interférence - 3 - maycec
Black Case Volume I and II: Return From Exile - Joseph Jarman
Good Company - Paul Van der Eerden 







