Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Radio-Art - Tetsuo Kogawa
Carnivore - Grow
Holy Mountain - Maia Matches, Knuckles & Notch
La traversée - Magali Brueder
Migrant Mother, Migrant Gender - Sally Stein
Platteland - Simon Vansteenwinckel
Les Grands Ensembles - Léo Guy-Denarcy
À partir de n°1 - Coll.
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
ARTZINES #1, Paris issue
Le Choix du peuple - Nicolas Savary, Tilo Steireif
☀ - Manon Demarles
Jardín de mi padre - Luis Carlos Tovar
The Shelf - Journal 3
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Le voyeur - entretiens - Éric Rondepierre - Julien Milly
Konrad Becker - Dictionnaire de réalité stratégique
La chose à l'envers - Dosoung Kim
Good Company - Paul Van der Eerden 







