Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
La traversée - Magali Brueder
Deep state - Mathieu Desjardins
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Good Company - Paul Van der Eerden
Piano - Joseph Charroy
Gros Gris n°4 - Duel
Piotr - Pierre Escot, Denis Lavant
The Shelf - Journal 3
Aurore Colbert - Marie Mons
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
Catalogue Art Guys - That's painting productions, Bernard Brunon
Zoom Age - Julien Auregan
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
People in a faraday cage - Stéphanie Gygax
本の本の本 - antoine lefebvre editions,
Critique d'art n°54
Wayfaring - Patrick Messina, André S. Labarthe
twen [1959–1971]
A l'origine - Anne-Émilie-Philippe 







