Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Modern Instances, The Craft of Photography - Stephen Shore
Dans la Lune - Fanette Mellier
Pause - Coll.
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Brush Master - Jasper "Mississippi" Travis
Autodrône - Divine Vizion
Titanic Orchestra - Julien Mauve
A R N O R D I R - FLorian Marciourt
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
To Be Determined: Photography and the Future - Duncan Wooldridge
Marginalia - Clément Laigle
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Seoul Flowers & Trees - tribute to Lee Friedlander
Titties - Nour Hifaoui
Saint Julien l'hospitalier Tome 3 - Claire Pedot
The Book Fight - Chihoi
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Papier magazine n°06 - Coupe du monde 







