Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Mökki n°2
Untitled (Comic Book) - Frédérique Rusch
Critique d'art n°56
Gros Gris n°4 - Duel
Roven n°4
Lavalse des tambours - Paul Rey
Grilles - Zelda Mauger
Radio-Art - Tetsuo Kogawa
Good Company - Paul Van der Eerden
Imagos - Noémie Lothe
Bambi # 4 - Collectif
Critique d'art n°54
Aristide n°4
Aurore Colbert - Marie Mons
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Sillo n°3 - Le Fauve
Tchat - Gary Colin
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Promenade au pays de l'écriture - Armando Petrucci
Strates & Archipels - Pierre Merle 







