Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Temps d'arrêt - Etienne Buyse
Gros Gris n°4 - Duel
L’Écureuil de James - Alice Brière-Haquet, Liuna Virardi
Aristide n°4
Catalogue Art Guys - That's painting productions, Bernard Brunon
Saint Julien l'hospitalier Tome 2 - Claire Pedot
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Mökki n°4
Bambi # 4 - Collectif
Deep state - Mathieu Desjardins
Dear Paul - Paul Van der Eerden
Wayfaring - Patrick Messina, André S. Labarthe
Good Company - Paul Van der Eerden
Strates & Archipels - Pierre Merle 







