Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Saveurs imprévues et secrètes - Gilbert Lascault
Mission Control - Emir Karyo & Jan Wojda
Mapping Bookbinding Poster- Simon Ruault
Harry Thaler's Pressed Chair
Parallélisme - Nicolas Nadé
Dessins pour Rugir - Virginie Rochetti
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
America - Ayline Olukman, Hélène Gaudy
Email Diamant - Fabienne Radi
Papier magazine n°06 - Coupe du monde
A Compilation Of Contemporary Letter Designs
Fournitures - Julien Gobled
Dada à Zurich – Le mot et l’image (1915-1916)Hugo Ball
Prose postérieure - Les commissaires anonymes
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Entretiens – Jérôme Dupeyrat
Escape - Makiko Minowa
Roven n°5
Intérieur - Samoth Trauberchel
Vanishing Workflows - Xavier Antin
Ventoline 5 - Coll.
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Femme, Arabe et... Cinéaste - Heiny Srour
Editer l’art – Leszek Brogowski
Zoom Age - Julien Auregan 







