Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
ARTZINES #1, Paris issue
L’Écureuil de James - Alice Brière-Haquet, Liuna Virardi
interférence - 3 - maycec
Hideous - Thomas Perrodin, Néoine Pifer
Ludmilla Cerveny - Work
Délié - Baptiste Oberson
Catalogue Art Guys - That's painting productions, Bernard Brunon
Sans titre - Chris Kiss
Slanted 30 - Athens
Après la révolution – numéro 1
Bambi # 4 - Collectif
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Flynn zine # 1 - Flynn Maria Bergmann
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Konrad Becker - Dictionnaire de réalité stratégique
interférence - 2 - maycec
Citrus maxima xparadisi - coll.
Retour d'y voir - n° 3 & 4 - Mamco
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Optical Sound 3
La traversée - Magali Brueder
Darkest Night - Joel Van Audenhaege
Pectus Excavatum - Quentin Yvelin
Fluent - Laëticia Donval
Le corps travesti - Michel Journiac
SKKS - Gilles Pourtier
Aristide n°4
Ce que l'histoire fait au graphisme - Clémence Imbert
La mémoire de l’ordre. Les paradoxes du sens dans l’architecture moderne. - José Ignacio Linazasoro
Zoom Age - Julien Auregan 







