Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Dishes for Dolls - Ruth van Beek
La Typographie Moderne - Robin Kinross
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Salt Crystal - Fabio Parizzi
Dark optics - David Claerbout
Join my patreon - Jooyoung Kim
Sébastien - Antoine Orand
Sous mes semelles - Anaïs Lapel, Gaspard Kasimir
La grande surface de réparation - Gilles Pourtier
Entre les lignes - Françoise Jaunin
Sans titre - Chris Kiss
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Critique d'art n°55
Zoom Age - Julien Auregan 







