Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Musique pour les yeux - Johann Bertrand Dhy
Mosaïque d'asphalte - Jack Torrance
Vanishing Workflows - Xavier Antin
Shanghai Cosmetic - Leslie Moquin
Gros Gris n°4 - Duel
Erlebnispark - Paul & Carla
Critique & création - L.L. de Mars
De l'objet (comme un parcours) - Collectif, Sandra Chamaret
La nuit, tu mens - Ambre Husson
Vers Vermersch - Thomas Dunoyer de Segonzac
Lili, la rozell et le marimba / revue n°2
Hmm ! - C. de Trogoff
PRISON MUSEUM - Nicolò Degiorgis
Une généalogie des grandes oreilles - Lauren Tortil
Photographic Fields - Joël Van Audenhaege
Sans titre - Benjamin Hartmann
People in a faraday cage - Stéphanie Gygax
Le museau de mes amies m’amuse - Jehane Mahmoud
Pectus Excavatum - Quentin Yvelin
Zoom Age - Julien Auregan 







