Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Courir - David Simpson
IBM – Graphic Design Guide from 1969 to 1987
Talk Soon - Erik Kessels & Thomas Sauvin
Lili, la rozell et le marimba / revue n°2
An Inventory Of - Daniele Franzella
Critique d'art n°56
lebondieu - Claude Grétillat
Avec ce qu'il resterait à dire - Anne Maurel
Crise de foie - Christine Demias
Six Months - Nathalie Ghanem-Latour
Gros Gris n°4 - Duel
SKKS - Gilles Pourtier
Humoral Fortuities - Francesco Albano’s
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Cyclone - Juliette Chalaye
Deep state - Mathieu Desjardins
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
La mémoire en acte - Quarente ans de création musicale
Talweg 6 - La distance
Revue La Ronde n°14
Perturbations - Rosaire Appel
The Letter A looks like The Eiffel Tower - Paul Andali
Underground graphic design archive Paris
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
Hello tomato - Marion Caron & Camille Trimardeau
Konrad Becker - Dictionnaire de réalité stratégique
Saint Julien l'hospitalier Tome 3 - Claire Pedot 







