Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Titanic Orchestra - Julien Mauve
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Critique d'art n°55
The life of Ruben - Bernardo Sousa Santos
Gros Gris n°4 - Duel
Délié - Baptiste Oberson
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Dear Paul - Paul Van der Eerden
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Fluent - Laëticia Donval
Le dos des choses - Guillaume Goutal
Mökki n°4
Dernier royaume - Quentin Derouet
Saint Julien l'hospitalier Tome 3 - Claire Pedot 







