Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Paysageur n°3 - Mobiles
Good Company - Paul Van der Eerden
L'inventaire des destructions - Éric Watier
The Book Fight - Chihoi
La construction - Perrine Le Querrec
Critique & création - L.L. de Mars
Donne des racines au loup-garou & fais courir l'arbre la nuit - Pauline Barzilaï
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Critique d'art n°55
UP8 — Pour une pédagogie de l'architecture
Après la révolution – numéro 1
Rois de la forêt - Alain Garlan
Travailler, lutter, diffuser – Archives militantes du Centre Grisélidis Réal de documentation internationale sur la prostitution, Genève
Objets Minces - Collectif
To Be Determined: Photography and the Future - Duncan Wooldridge
Saint Julien l'hospitalier Tome 3 - Claire Pedot 







