Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Un essai sur la typographie - Eric Gill
Revue Les Saisons n°3
Mökki n°2
Cyclone - Juliette Chalaye
Poster Tribune # 11
Saint Julien l'hospitalier Tome 3 - Claire Pedot
How Many - Nathalie Du Pasquier
Ellipse - Ismail Alaoui-Fdili
Alma Mater n°1
Optical Sound 3
Talweg 6 - La distance 







