Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Le Choix du peuple - Nicolas Savary, Tilo Steireif
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
Seoul Flowers & Trees - tribute to Lee Friedlander
Party Studies – Vol. 2 – Underground clubs, parallel structures and second cultures
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Piano - Joseph Charroy
Dear Paul - Paul Van der Eerden
Party Studies – Vol. 1 – Home gatherings, flat events, festive pedagogy and refiguring the hangover
The Shelf - Journal 3
OKATAOKA MEETS FOLK ART SERIES “HELLO MEXICO”
Tchat - Gary Colin
Gros Gris n°4 - Duel
Triptyque - Ronan Bouroullec
Before Science - Gilles Pourtier, Anne-Claire Broc'h
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
(page 1 et 17) - Lorraine Druon
9 octobre 1977 - Roberto Varlez
Citrus maxima xparadisi - coll.
Étrangement seuls - Jean-Pascal Princiaux
A l'origine - Anne-Émilie-Philippe
Mökki n°4
La Janais - Gaëtan Chevrier, Jérôme Blin
Saint Julien l'hospitalier Tome 2 - Claire Pedot 







