Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Le seuil - Quentin Yvelin
Bacon le Cannibale - Perrine Le Querrec
Sillo n°3 - Le Fauve
Lucky Me - Eva Rotreklová & Jules Janssen
Photographic Fields - Joël Van Audenhaege
Inflamed Invisible - David Toop
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Dédale - Laurent Chardon
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Le déclin du professeur de tennis - Fabienne Radi
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Salt Crystal - Fabio Parizzi
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Mökki n°4
Tools n° 05 – Tourner
La traversée - Magali Brueder
Barrage de Sarrans - Sandrine Marc
Critique & création - L.L. de Mars
Le lacéré anonyme - Jacques Villeglé
Hello tomato - Marion Caron & Camille Trimardeau
Saint Julien l'hospitalier Tome 2 - Claire Pedot 







