Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Gros Gris n°4 - Duel
Mökki n°4
De lave et de fer - Laurent Feynerou
Imagos - Noémie Lothe
Watch out - Anne-Émilie-Philippe
Roven n°5
La France de tête #04
Marcel Proust en cinq minutes — Jackson B. Smith
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Photographic Fields - Joël Van Audenhaege
Aurore Colbert - Marie Mons
Good Company - Paul Van der Eerden
SKKS - Gilles Pourtier
L'inventaire des destructions - Éric Watier
Illusive prosody - Alex Beaurain
L’intérêt à agir. Quand l’art s’inquiète du droit des étrangers et du droit d’auteur - Coll.
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
Cuadernos - Henry Deletra
Seoul Flowers & Trees - tribute to Lee Friedlander
Awakening at the inn of the birds - Aymeric Vergnon
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Le dernier homme - Johann Rivat
Graphic Design Is (…) Not Innocent - Ingo Offermanns
Pectus Excavatum - Quentin Yvelin
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Saint Julien l'hospitalier Tome 2 - Claire Pedot 







