Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

De l'objet (comme un parcours) - Collectif, Sandra Chamaret
Critique d'art n°56
Heads Together – Weed and the Underground Press Syndicate - David Jacob Kramer
On dirait le sud - Anne-Sophie Turion
Collage - Laura McMorrow
Hmm ! - C. de Trogoff
Catalogue Art Guys - That's painting productions, Bernard Brunon
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Tchat - Gary Colin
Laura Mulvay - Fetichisme et curiosité
Talweg 6 - La distance
L'inventaire des destructions - Éric Watier
Le dos des choses - Guillaume Goutal
Roven n°5
Le chateau enchanté - Atelier Mclane
Dédale - Laurent Chardon
La construction - Perrine Le Querrec
De tels baisers - Jul Gordon
Après la révolution – numéro 1
Tarwar - Ilan Manouach
La traversée - Magali Brueder
Délié - Baptiste Oberson
Inframince et hyperlié - Philippe Lipcare
Christina Forrer - Don’t Swallow Your Tongue
Deep state - Mathieu Desjardins
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
Slanted 24 - Istanbul 







