Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Gruppen n°14 - Collectif
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Flower finds - Orianne Jeanselme
Entretiens – Jérôme Dupeyrat
interférence - 3 - maycec
Roven n°4
Jérôme LeGlatin (avec Mel Crawford) - Le Crash
Four Worlds - Hannah Waldron
Aristide n°4
Six Months - Nathalie Ghanem-Latour
Donne des racines au loup-garou & fais courir l'arbre la nuit - Pauline Barzilaï
It was a good day - Jeremy Le Corvaisier
Critique d'art n°54
IMPROVISATION N. 190220 - Miki Lowe
Promenade au pays de l'écriture - Armando Petrucci
Saint Julien l'hospitalier Tome 2 - Claire Pedot 







