Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Assembly - Sam Porritt
The Shelf - Journal 3
Les Grands Ensembles - Léo Guy-Denarcy
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Editer l’art – Leszek Brogowski
It was a good day - Jeremy Le Corvaisier
Poster Tribune # 11
Le dos des choses - Guillaume Goutal
Underground graphic design archive Paris
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Critique d'art n°54
Good Company - Paul Van der Eerden
Mercometal
À partir de n°1 - Coll.
Grilles - Zelda Mauger
Mökki n°4
La prise - Florian Javet
Autodrône - Divine Vizion
Échec et scotome - Jean Otth
Crise de foie - Christine Demias
Saint Julien l'hospitalier Tome 1 - Claire Pedot 







