Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Migrant Mother, Migrant Gender - Sally Stein
Keywording (Post) Contemporary Art - Greta Rusttt
Bande Annonce - Cinéma & Bande Dessinée - Coll.
ADBC du Dessin - Jacques Floret
Aristide n°4
America - Ayline Olukman, Hélène Gaudy
Paysageur n°3 - Mobiles
Holy Mountain - Maia Matches, Knuckles & Notch
The Shelf - Journal 3
Roven n°4
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
CURIOSITY — David Lynch
Dessins pour Rugir - Virginie Rochetti
Cuadernos - Henry Deletra
Watch out - Anne-Émilie-Philippe
Pénurie - Zivo, Jérôme Meizoz
Poster Tribune # 11
La France de tête #04
Saint Julien l'hospitalier Tome 1 - Claire Pedot 







