Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Fluent - Laëticia Donval
La France de tête #04
Le blanc nez - Fouss Daniel
Censored n°05 - Transmission
Critique d'art n°56
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Saint Julien l'hospitalier Tome 2 - Claire Pedot
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Watch out - Anne-Émilie-Philippe
Future Book(s) Sharing Ideas on Books and (Art) Publishing - dir. Pia Pol, Astrid Vorstermans
Cyclone - Juliette Chalaye
Modern Instances, The Craft of Photography - Stephen Shore
Email Diamant - Fabienne Radi
People in a faraday cage - Stéphanie Gygax
Ventoline 5 - Coll.
16 x 421 - Lorraine Druon
Comic Book (Untitled) - Stéphanie Leinhos
ARTZINES #7 - Berlin issue
Saint Julien l'hospitalier Tome 1 - Claire Pedot 







