Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

La chasse Galerine - Jéréméy Piningre & Aëla Maï Cabel
Tomber dans l'escalier - Jasper Sebastian Stürup
Critique d'art n°55
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Radio-Art - Tetsuo Kogawa
Sillo n°3 - Le Fauve
Prose postérieure - Les commissaires anonymes
Perturbations - Rosaire Appel
Salt Crystal - Fabio Parizzi
Assembly - Sam Porritt
Gros Gris n°4 - Duel
Party Studies – Vol. 1 – Home gatherings, flat events, festive pedagogy and refiguring the hangover
Hiver sur les continents cernés - F.J. OSSANG
Blaclywall by Sihab Baik - Claude Closky
Odette - Benoît Le Boulicaut
Good Company - Paul Van der Eerden
Surface Tension - Tabitha Soren
10 MINUTES Architects and Designers in Conversation
America - Ayline Olukman, Hélène Gaudy
Spectres n°4 - Mille voix
Mökki n°2 







