Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Salt Crystal - Fabio Parizzi
Email Diamant - Fabienne Radi
Le déclin du professeur de tennis - Fabienne Radi
Watch out - Anne-Émilie-Philippe
Bodies in Scattered Light - Andriu Deplazes
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Architecture-Belvédère - Lou-Andréa Lassalle & Bérénice Béguerie
Poèmes - Yvonne Rainer
Wayfaring - Patrick Messina, André S. Labarthe
Le blanc nez - Fouss Daniel
The Shelf - Journal 3
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Rasclose - Geoffroy Mathieu
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Party Studies – Vol. 1 – Home gatherings, flat events, festive pedagogy and refiguring the hangover
Roven n°5
Pénurie - Zivo, Jérôme Meizoz
Intérieur - Samoth Trauberchel
OKATAOKA MEETS FOLK ART SERIES “HELLO MEXICO”
In the presence of being absent... Arrgh. - Stéphanie Leinhos
Tropical Reading: Photobook and Self-Publishing
Désolation - Verity Spott
Saint Ferreol - Trente plats - Jérémy Piningre & Aëla Mäi Cabel
Vacuité 9090 - Jérémy Piningre
Mökki n°2 







