Throughout her prolific career, Ursula Schulz-Dornburg has led the way in documenting man-made environments on the cusp of change and transition. The sites she visited were often remote and difficult to access. In 1996 and 1997 she traveled to Armenia and with a small portable camera made visual notes of remnants of Soviet architecture during her walks through the capital city of Yerevan. She developed the films on her return to Germany and in 2001 she edited and compiled the prints into a traditional notebook used in Armenian schools which she had bought back from one of her trips. This hand-made sketchbook was then dedicated to her daughter, Julia, who was studying architecture at the time.

This publication is a facsimile of the original sketchbook, an artist’s book work embedded with the history of the cultural artefacts long-since disassembled and the actions of the artist in walking through time and space, documenting and compiling the material.
OTA bound paperback with linen jacket
20 x 17 cm

Photographic Fields - Joël Van Audenhaege
Radio-Art - Tetsuo Kogawa
Der Erste Rotkehlchen - Le livre
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Prose postérieure - Les commissaires anonymes
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Le blanc nez - Fouss Daniel
Illusive prosody - Alex Beaurain
Wayfaring - Patrick Messina, André S. Labarthe
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Le voyeur - entretiens - Éric Rondepierre - Julien Milly
Imagos - Noémie Lothe
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Temps d'arrêt - Etienne Buyse
Titanic Orchestra - Julien Mauve
Aurore Colbert - Marie Mons
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Le chateau enchanté - Atelier Mclane
Je ne peux pas ne pas - Geneviève Romang
Papier magazine n°06 - Coupe du monde 

































