Wonderful antidote to uncertain times: elephants in the picture
‘Through this extraordinary selection of photographs and accompanying text, we follow elephants on their journey from Ancient Rome to Coney Island and beyond. Across battlefields and city bridges, in railway cars and circus rings, adored, applauded and at times brutally mistreated, elephants have truly come to town.’
— James Attlee

When Elephants Come to Town is a visual celebration of man’s timeless fascination with the world’s largest land animal through the medium of photography. The joy and excitement elephants arouse when they make an appearance in our lives is brought to life through a combination of iconic photographs by, amongst others, Garry Winogrand and unattributed, archival material.
Rather than a series of contemporary nature photographs, the book is a collection of exceptional images from around the world of elephants in captivity, dating from Victorian times to the height of circus culture in the mid-20th century, many of them taken by anonymous photographers.
Elephants parade through the streets and perform tricks in circuses and shows, their riders ranging from royalty to children, from showgirls to soldiers. In times of war they assist with logistics, shifting heavy loads, ploughing fields and hauling vehicles; in peacetime they add a touch of glamour and exoticism to locations as varied as casinos, hospital courtyards and amusement parks, and are in turn transformed into elephant-shaped buildings, mechanised automatons or balloons.
In the essay that accompanies the photographs, acclaimed British author James Attlee describes the broader context of that relationship through the ages. In doing so, he does not shy away from describing the abuse and poor living conditions captive elephants have had to endure; at the same time he evokes the depth of understanding that can exist between man and animal, often in the words of those who have experienced it first-hand.
Intensely nostalgic, often poignant and always fascinating, these images capture the complexity of one of the planet’s most enduring inter-species relationships.
176 pagina’s
Hardcover
Bichromie en quadrichromie

America - Ayline Olukman, Hélène Gaudy
Sillo n°3 - Le Fauve
9 octobre 1977 - Roberto Varlez
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
Polyphème (d'après Euripide) - J. & E. LeGlatin
Bambi # 4 - Collectif
Les Grands Ensembles - Léo Guy-Denarcy
La prise - Florian Javet
Sans titre - Chris Kiss
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Étrangement seuls - Jean-Pascal Princiaux
Salt Crystal - Fabio Parizzi
Sur la page, abandonnés — vol.3
Poster Tribune # 11
Sans titre - Benjamin Hartmann
16 x 421 - Lorraine Druon
Une goutte d'homme - Alice Dourlen
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Deep state - Mathieu Desjardins
Cuadernos - Henry Deletra
Good Company - Paul Van der Eerden
Habitante 2 - Coll.
Je ne peux pas ne pas - Geneviève Romang
A Journal of Militant Sound Inquiry – Vol. 1 – Naming the Moment - Ultra-red
Oblikvaj 4 - Last minute Shodo - Thomas Perrodin, Ensemble Batida
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Replacement Artwork - Alexandre Barré
Rois de la forêt - Alain Garlan
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Pectus Excavatum - Quentin Yvelin
Le corps travesti - Michel Journiac
Design sous artifice : la création au risque du machine learning - Anthony Masure
Gros Gris n°4 - Duel
La mémoire en acte - Quarente ans de création musicale
Slow Down Abstractions - Adrien Vescovi
Burning Images, A History of Effigy Protests - Florian Göttke
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Anderlecht — Molenbeek - Pierre Blondel
Le Gabion - Théo Robine-Langlois
Future Book(s) Sharing Ideas on Books and (Art) Publishing - dir. Pia Pol, Astrid Vorstermans
Imagos - Noémie Lothe 













