Following on an eponymous exhibition of work by French artist Xavier Antin at Aloft at Hermès, Singapore, this independent collaboration between the publisher and artist features photographs taken by designer Gideon Kong during several visits to the exhibition. Touching on current themes such as the speculative market of decentralised digital currency and the traditional idea of speed associated with technology, Antin sets up a delicate opposition at the crossroads of technology and nature. In a dialogue between Kong and Antin, he explains how he imagined the exhibition as a kind of “slowing” space in the form of a garden; a type of nature reconstituted in a closed artificial space.
48 pages.


Critique d'art n°55
Temps d'arrêt - Etienne Buyse
Optical Sound 3
Graphure et Peintrisme n°2 - B. Bonnemaison-Fitte, G. Pithon et M. Kanstad Johnsen
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Sights - Henry McCausland
Hobo Nickel - Damien Sauvage
Pour une esthétique de l'émancipation - Isabelle Alfonsi
Dark optics - David Claerbout
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Watch out - Anne-Émilie-Philippe
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Je ne peux pas ne pas - Geneviève Romang
Le dos des choses - Guillaume Goutal
twen [1959–1971]
Photographic Fields - Joël Van Audenhaege
A l'origine - Anne-Émilie-Philippe
Darkest Night - Joel Van Audenhaege
Le corps travesti - Michel Journiac
Prototype 02 - morcellement
Image Canoë - Jérémie Gindre
SKKS - Gilles Pourtier 







