A collection of 41 monoprints created by Karel Martens in 2019 and 2020, reproduced on their original size (front and back). Karel Martens: « In 2018 I received a package by mail from Pierre Leguillon with a small pile of used Japanese forms which he had found at a street market in Tokyo. An intriguing collection, printed on thin paper with a rectangular black-blue layer of carbon on the back. Initially in 2019 I started to print on these back sides, but because the overprinting on the carbon layer caused unwanted damage, I eventually started printing them on the front sides as well. The closing image is related to Tokyo in a different way. » Design: Karel Martens with Roger Willems

40 recto + 40 verso

Piano - Joseph Charroy
Alma Mater n°1
Mökki n°2
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Bokkusu - Nigel Peake
Fluent - Laëticia Donval
Roven n°5
Gros Gris n°4 - Duel
L’Écureuil de James - Alice Brière-Haquet, Liuna Virardi
Aurore Colbert - Marie Mons
Pectus Excavatum - Quentin Yvelin
Le singe et le bijoux - Roxane Lumeret
Les glaciers - Lorraine Druon
本の本の本 - antoine lefebvre editions,
Entretiens – Jérôme Dupeyrat
De tels baisers - Jul Gordon
Critique d'art n°56
Avec ce qu'il resterait à dire - Anne Maurel
Konrad Becker - Dictionnaire de réalité stratégique 







































